2023 Kafka's Telephone. Selected for the Big Cellar Collective event by Dada Lounge Porthmeor studios in St Ives in September; an interactive and generative sound installation inspired by Kafka's description of a telephone call in his last novel The Castle; employing an early twentieth century wall based telephone.

2020-2023 In the process of assembling a library of different species of tree recording with artist Timothy Crowley, using contact mics on the trunks to hear the sound of the rising sap in the xylem tubes. The sounds reveal a surprising world of sloshing, guzzling, knocks, creaks and groans within the timber.

2022-2023 Currently working on a sequence of photographic sound installation with accompanying field recordings. Each installation is a re-experience of a place in Cornwall that we have become familiar with through wild camping and cycling.

2019 Swirl Bude Sea Pool. Interactive, participatory and generative sound Installation in collaboration with artist Timothy Crowley, commissioned by Sound UK and Exeter University as part of REFLECT- ARTS AND MIND PROJECT.

2018 (October) Swarm Installation event and workshop. A commissioned sculpture for Falmouth University (Penryn Campus) a ceramic swarm of gilded bees inspired by the dream of Walter Bronescombe, by Kate Ogley and Timothy Crowley. Swarm was created with the help of local people, staff and students from Falmouth University. All took part in a series of bee making workshops where they made individual press-molded clay bees.

2018 (September) Souls Live on in Perpetual Echoes, Plymouth Art Weekender. 3 day outdoor public sound installation inspired by Plymouth’s prehistoric Bone Caves with Timothy Crowley.

2017 Awarded Skills Share Fair bursary with artist Timothy Crowley. Bee pressing workshop (Swarm). Field Notes, Penryn Arts Festival.

2017 Place-Exploration a 5 day residency by Bram Arnold with Davis+Jones at Kestle Barton.

2017 Transit Plymouth Art Weekender sound installation located in the trees at Frankfort Gate; collaboration with artist Timothy Crowley, asylum seekers and migrant workers in Plymouth with special thanks to Patrick, Musad, Edson and Rassa for their (anonymous) contributions.

2017 Bee pressing workshop at Tipping Points and Chaos Exhibition and BioBlitz Festival Falmouth University.

2017 Swarm Collaborative participatory project with artist Timothy Crowley commissioned by Falmouth University.

2017 Joined LUX Critical Forum at CAST Institute Helston.

2017 Scallop Cutters digital film, screened as part of Bodies of Water Programme curated by Dr. Kayla Parker. Force 8 all-day artists’ film event, The Galley, Bridport, Dorset; 11am to 5pm.

2017 Flow A weeks collaborative residency at The Crypt Gallery, London, with sound artist Timothy Crowley; we created a series of sound installations inspired by the subterranean river Fleet that flows nearby.

2016 Bridge Of Air. Bridgeguard Residency 3 month collaborative and community based art residency in Sturovo, Slovakia with sound artist Timothy Crowley.

2015 Scallop Cutters digital film, screened as part of Surface Deep: Bodies of Water, Murdoch House, Redruth, Cornish Film Festival.

2015 Scallop Cutters digital film screening as part of Bodies of Water Programme, presented jointly by the Land/Water and the Visual Arts and Moving Image Arts (MIA) research groups. Plymouth University.

2015 Shortlisted in collaboration with Timothy Crowley for Bristol Biennale: In Other Worlds

2015 Mentor for artist Orly Ammon. Backlane West Redruth.

2014 Scallop Cutters digital film selected for artists moving image programme Bodies of Water The Royal West of England Academy Bristol.

2014 Embedded. Devised and created a four day contemporary art event with sound artist Timothy Crowley at the historic Enys Gardens for Penryn Festival. Showcasing work of 10 international and regional artists as well as providing a series of diverse and innovative workshops.

2014 Lineage digital film installation observing the nocturnal rituals involved in the collection, identification and recording of moths and their extraordinary genetic lineage. Embedded.

2014 Embedded. Drop in Sound Workshop hosted by Timothy Crowley and Kate Ogley. Participants made sounding objects which triggered rhythmical and melodic sounds on a computer. The generative computer program written by Timothy Crowley (in Supercollider) played the composition during this interaction, allowing the participant to hear and immediately contribute to it. Participants contributed to the creation of an 8 minute sound composition which became available to download on SoundCloud.

2014 Sound Art Workshops hosted by Timothy Crowley and Kate Ogley sponsored by Krowji. A fun and innovative introduction to Sound Art for the general public and people with profound learning difficulties.

2014 Embedded. Moth Magic, A nocturnal workshop exploring the secret world of moths with one of the foremost moth experts in the county Tony James and his wife Pat. The workshop observed and recorded moths within Enys garden, inviting participants to appreciate the huge variety and subtle beauty of these creatures.

2013 Scallop Cutters digital film Back Lane West Art Film Night Tee Rex Cinema Penryn Arts Festival.

2013 Super Moon. collaboration with sound installation artist Timothy Crowley on the Ark at Jubilee Wharf. An evening of live performance and sonic installation presented by School of Noises as part of Penryn Arts Festival.

2013 Karst Residency exchange Plymouth with Backlane West,. Ongoing project collecting songs from migrant workers in the Stonehouse district of the city and creating sound interventions within the urban landscape.

2013 Meantime Residency in Cheltenham. Audio portraiture - songs and interviews with migrant workers

2012 Scallop Cutters film selected for Cologne Experimental Documentary Festival 2012 part of the Cologne International Video Art Festival a nomadic festival project

2012 Shpella Family digital film selected for screening; Square Eyes Bologna, Caz event, Exchange Gallery Penzance and Bologna Italy